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Das Reisetagebuch geht zurück auf weltweite Forschungs- und Lehrkontakte. Die Geschichte der phänomenologischen Bewegung wird ergänzt durch eine globale Geographie. Interkulturelle Bezüge erstrecken sich auf Philosophie, Wissenschaft, Kunst, Religion und Alltagsleben. Bekannte Namen tauchen auf wie Boulez, Derrida, Levinas, Ricœur oder Patočka. Autoren wie Joyce, Kafka, Proust und Kierkegaard zeigen sich in ihrem städtischen Umfeld. Streifzüge führen durch das schwarze Harlem. Spuren von Krieg und Gewalt begegnen uns auf den Straßen von Sarajevo oder Bogotà sowie an Gedenkorten in Auschwitz, Kaunas oder Kiew. Die Ränder Europas melden sich in Istanbul, Tbilissi, Tunis und Jerusalem. Der Autor ist ein international bekannter Phänomenologe. The travel diary has its origin in world-wide research and teaching contacts. The history of the phenomenological movement is completed by global geography. Intercultural relations have regard to philosophy, science, art, religion and everyday life. Famous names turn up like Boulez, Derrida, Levinas or Ricœur. Authors like Joyce, Kafka Proust and Kierkegaard appear in their home environment. There are trips crossing the black Harlem. One meets traces of war and violence in the streets of Sarajevo or Bogotà and at the memorial places of Auschwitz, Kaunas or Kiev. The margins of Europe are reached in Istanbul, Tbilisi, Tunis and Jerusalem. The author is an international known phenomenologist.

Body language. --- Phenomenology. --- Violence.

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The aim of this Research Topic was to offer an interdisciplinary forum for researchers interested in the interplay of face, eye gaze, and body perception in the understanding of others, with an emphasis on behavioural and neural processing. The papers included in this topic come from cognitive, neuroscience and social psychology perspectives and shed new light on how facial and body cues interact with each other and with social, ecological and contextual factors (such as for example social identification and group membership) to form a unified representation that can guide our perceptions and responses to other people. Altogether, they provide an up-to-date picture of advances in this fascinating research field.

Face perception. --- Perception --- Social aspects. --- face perception --- gaze cueing --- social information processing --- Atypical Development --- body language

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Mouth actions in sign languages have been controversially discussed but the sociolinguistic factors determining their form and functions remain uncertain. This first empirical analysis of mouth actions in Irish Sign Language focuses on correlations with gender, age, and word class. It contributes to the linguistic description of ISL, research into non-manuals in sign languages, and is relevant for the cross-modal study of word classes.

Irish Sign Language. --- Mouth. --- Gesture. --- ISL (Sign language) --- Sign language --- Mudra --- Acting --- Body language --- Elocution --- Movement (Acting) --- Oratory --- Dentistry --- Face --- Head --- Non-Manual Features. --- Sign Language. --- Word Classes.

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Gesture --- Gesture in art --- Gestes --- Gestes dans l'art --- History --- Histoire --- #VCV monografie 2000 --- 800.95 --- 800.95 Non-verbale communicatie --- Non-verbale communicatie --- Mudra --- Acting --- Body language --- Elocution --- Movement (Acting) --- Oratory --- Sign language

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This is a book about musical gestures: multiple ways to design instruments, compose musical performances, analyze sound objects and represent sonic ideas through the central notion of ‘gesture’. The writers share knowledge on major research projects, musical compositions and methodological tools developed among different disciplines, such as sound art, embodied music cognition, human-computer interaction, performative studies and artificial intelligence. They visualize how similar and compatible are the notions of embodied music cognition and the artistic discourses proposed by musicians working with ‘gesture’ as their compositional material. The authors and editors hope to contribute to the ongoing discussion around creative technologies and music, expressive musical interface design, the debate around the use of AI technology in music practice, as well as presenting a new way of thinking about musical instruments, composing and performing with them.

Music recording & reproduction --- Musical instruments & instrumental ensembles --- User interface design & usability --- Acoustic & sound engineering --- Perception --- Electronic music --- Expression; Music; Musical experience; Body language; Composition ; Avant-garde (Music); Electronic musical instruments